
Then one day, Ethan came home, sweat dripping from his forehead. His shirt was soaked, and he looked like he’d been running for hours.
“Ethan, what happened?” I asked, walking over to him as he plopped down on the couch.
“Mrs. Johnson asked me to mow her lawn,” he panted. “She said she’d pay me twenty bucks.”
I glanced out the window at Mrs. Johnson’s yard. It was huge, easily the biggest in the neighborhood. Ethan had mowed the entire thing. It looked perfect, lines neat and clean.
“Two days,” Ethan said, wiping his face with his shirt. “It took me two whole days. But she said she’d pay me when I was done.”
I smiled at him, proud. Ethan was a good kid, always looking to help out. He’d been saving up for weeks to buy a food processor for his grandma’s birthday. The twenty dollars would help him get a little closer.
“Did she pay you yet?” I asked, still looking out the window.
“No, but I’m sure she will,” Ethan said, his voice hopeful.
I nodded. Mrs. Johnson might be distant, but stiffing a kid out of twenty bucks? Even she wouldn’t do that. Or so I thought.
A few days passed, and I noticed Ethan was quieter than usual. He wasn’t his usual cheerful self, and it worried me.
“What’s wrong, honey?” I asked one evening as he sat by the window, staring at Mrs. Johnson’s house.
“She hasn’t paid me yet,” he said softly.
I frowned. “Well, have you asked her?”
Ethan nodded. “Yeah, I went over yesterday, but she told me she was busy and to come back later. So I went again today, and she told me… she told me to get lost.”
“What?” I gasped, shocked. “What do you mean ‘get lost’?”
Ethan looked down at his hands, his voice shaking just a little. “She said I should be grateful for the lesson I learned from mowing her lawn. That learning to work hard was the real payment. She said I didn’t need the money.”
My heart dropped, and my anger rose. This woman had tricked my son into doing two days of hard work and then refused to pay him. How dare she?
I clenched my fists, trying to stay calm for his sake, but inside I was boiling. “Don’t worry about it, honey. I’ll take care of it.”
Ethan gave me a small, trusting smile. But inside, I was already planning what I’d do next. Mrs. Johnson might think she was teaching my son a lesson, but she was about to learn one herself.
I sat on the porch the next morning, watching Mrs. Johnson pull out of her driveway, as polished as ever. The decision had been brewing inside me for days, and now, I felt no hesitation.
My son deserved justice, and if Mrs. Johnson wasn’t going to do the right thing, then I’d make sure she learned a lesson of her own. I got to making calls and leaving voice messages.
Around an hour later, my phone buzzed in my pocket. It was Mark, my old friend from high school, who now ran a small landscaping business. I explained the situation in a quick, hushed tone.
“So, you want me to… trim her hedges into weird shapes?” he chuckled on the other end of the line.
Mrs. Johnson took immense pride in her yard, especially her hedges. Every Saturday morning, without fail, she’d be out there, pruning the bushes with meticulous care.
She had them shaped into perfect, symmetrical forms that gave her house a neat, upscale appearance. To her, those hedges weren’t just plants—they were a statement.
“Exactly. Nothing destructive. Just enough to give them a funny look. She’s proud of that yard, and I want her to notice.”
Mark was quiet for a moment, then laughed again. “You’ve got yourself a deal. I’ll swing by later today.”
Step one of the plan was set. Now, for step two. I grabbed my laptop, found a local mulch delivery service, and called them up, doing my best to mimic Mrs. Johnson’s crisp, no-nonsense tone.
“Hi, this is Katherine Johnson. I need three large truckloads of mulch delivered to my address. Yes, the whole driveway. Thank you.”
I hung up, feeling a strange thrill. My heart pounded in my chest. Was I really doing this?
Yes. Yes, I was.
Then, I left a few messages for my neighbors. While asking for small favors, I made sure to casually mention what Mrs. Johnson had done to Ethan.
Later that afternoon, three giant trucks rolled up and began unloading piles of mulch onto Mrs. Johnson’s driveway. I watched from my porch as the workers carefully emptied their loads, blocking her entire driveway with massive mounds of dark brown mulch. There was no way she was getting her car in tonight.
By then, the neighborhood had started to buzz. I saw a few of the neighbors peeking through their windows, whispering to each other. Word had gotten around about what Mrs. Johnson had done to Ethan, and now, they were seeing my revenge unfold right in front of them.
I could feel the tension building. Everyone was waiting for Mrs. Johnson to come home. So was I.
At around 6:30 p.m., her shiny black car turned the corner and pulled onto our street. As soon as she saw the mulch, her car screeched to a halt. She sat there for a moment, probably in shock. Then she slowly rolled forward, coming to a stop in front of the pile blocking her driveway.
I leaned back in my chair, sipping my tea, and waited.
Mrs. Johnson got out of the car, her face a mix of confusion and anger. She marched over to the hedges first, staring at the strange shapes they’d been trimmed into. She ran her hands through her perfectly styled hair and pulled out her phone, probably to call someone to fix it.
A few of the neighbors had gathered across the street, pretending to chat, but really watching her reaction. They exchanged quiet laughs and glances. Mrs. Johnson looked around, realizing she was being watched, and her eyes landed on me.
She stormed across the street, her heels clicking loudly on the pavement.
“Did you do this?” she snapped, her voice tight with rage.
I smiled, taking another sip of my tea. “Me? I don’t know anything about landscaping or mulch deliveries.”
Her face turned bright red. “This is unacceptable! You think this is funny?”
I set down my cup and stood up, meeting her gaze. “Not as funny as stiffing a 12-year-old out of twenty dollars.”
Her mouth opened, but no words came out. She knew exactly what I was talking about.
“Maybe it’s just the universe teaching you a lesson,” I said, my tone sharp. “Hard work is its own reward, right?”
Mrs. Johnson clenched her jaw, her eyes darting from me to the piles of mulch and then back to the small crowd of neighbors now openly watching. She was trapped. She couldn’t argue with me without looking worse in front of the whole street.
“Fine,” she spat, turning on her heel and stomping into her house. A minute later, she reappeared with a crumpled twenty-dollar bill in her hand.
She shoved it at me, but I didn’t take it. “Give it to Ethan,” I said, stepping aside.
She shot me one last glare, then walked over to where Ethan stood at the edge of the yard. “Here,” she muttered, shoving the bill at him.
Ethan took the money, eyes wide with surprise. “Uh, thanks.”
Mrs. Johnson didn’t say another word as she hurried back to her car. She fumbled with her phone, probably trying to call someone to remove the mulch blocking her driveway. But I wasn’t worried about that. My job was done.
Ethan smiled so wide, I thought his face might split in two.
“Thanks, Mom,” he said, beaming.
“Don’t thank me,” I said, ruffling his hair. “You earned it.”
Mrs. Johnson never asked Ethan for help again. And every time she passed the neighbors, I could see the embarrassment in her eyes. Her hedges grew back, and the mulch eventually disappeared, but the story of how she learned a lesson about honesty and hard work stayed with the neighborhood.
Sometimes, the people who seem the most put-together are the ones who need a good reminder that you don’t mess with a mother protecting her son.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)

Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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