I was beyond exhausted—the kind of tired that makes you question if you’ve brushed your teeth or remembered to feed the dog.
Ever since the twins were born, my days had blurred into a never-ending cycle of diaper changes, feeding schedules, and sleepless nights. The last thing I needed was another problem to deal with. But when I stepped outside that morning, I found my car completely covered in eggs.
At first, I thought it was a random prank. Who wouldn’t? Halloween was around the corner, and maybe some kids had gotten a little too excited. I sighed, too tired to even be upset, and grabbed a sponge and bucket, ready to clean up the mess.
But just as I started scrubbing, my neighbor Brad came strutting over with that smug grin of his.
“That was me,” he said, almost proudly. “Your car was ruining the view of my Halloween decorations.”
I blinked at him, trying to process his words through the fog of exhaustion. My car? Ruining his view? His ridiculous display of plastic skeletons, fake cobwebs, and oversized pumpkins?
Furious, but too tired to even start an argument, I just nodded, biting back the urge to say something I might regret. I didn’t have the energy for a confrontation, but in that moment, I silently promised myself that I’d find a way to teach Brad a lesson.
He had no idea who he was messing with.
Don’t get me wrong, Lily and Lucas were my sweet little babies, but taking care of two newborns mostly by myself was incredibly hard. I hadn’t slept a full night in months. Halloween was coming, and the whole neighborhood was excited—except me.
I didn’t have the energy to decorate, let alone get into the festive spirit.
Then, there was Brad.
Brad took Halloween way too seriously. Every year, he turned his house into a huge haunted attraction with gravestones, skeletons, big jack-o’-lanterns, and more.
He loved the attention and would smile proudly whenever someone complimented his decorations.
The entire block loved it, but I was too exhausted to care about Brad’s haunted house.
One October morning, things started to fall apart.
I went outside, carrying Lily on one hip and holding Lucas in my arm, when I noticed something. My car was covered in eggs! The eggshells were stuck to the gooey mess, dripping down the windshield like some gross breakfast gone wrong.
“Are you serious?” I muttered, staring at the mess.
The night before, I had parked in front of Brad’s house. I didn’t have much choice since it was easier to park closer to my door with the twins’ stroller.
At first, I thought it was a prank. But when I saw egg splatters near Brad’s porch, I knew it had to be him.
Brad had done this.
Even though he didn’t own the street, Brad acted like he controlled the curb during Halloween.
Furious, I marched over to his house and knocked on the door, maybe harder than I should have, but I didn’t care anymore.
“What?” Brad opened the door with his usual smug expression, crossing his arms.
His house was already decorated. There were cobwebs, plastic skeletons, and a witch sitting on a chair. It was all too much.
I wasted no time. “Did you see who egged my car?”
Without blinking, Brad replied, “I did it. Your car was blocking the view of my decorations.”
I stared at him in disbelief. “You egged my car because it was parked in front of your house? You didn’t ask me to move it—you just trashed it?”
He shrugged like it was no big deal. “How can people see my display if your car is in the way?”
I couldn’t believe what I was hearing. “Are you serious?”
Brad nodded, still looking pleased with himself. “I’m the Halloween King. People come from all over to see my decorations. You’re always parked there. It’s inconsiderate and ruins the vibe.”
I was juggling two newborns, barely holding it together, and he was talking about ruining the vibe?
“Well, sorry if my life interferes with your spooky setup,” I snapped. “I’ve got newborn twins, Brad.”
“I know,” he said, leaning against the doorframe. “Maybe park somewhere else.”
“I park there because it’s easier with the babies and the stroller!”
Brad shrugged again. “Not my problem. You can park there after Halloween.”
I stood there, speechless, my anger boiling inside. But being so tired, I couldn’t even argue anymore.
“Fine,” I snapped, and stormed back inside, shaking with anger and disbelief.
As I washed the egg off my car, something clicked. Brad wasn’t just an annoying neighbor—he was a bully. And I had had enough. If he wanted to play dirty, fine. I could play smarter.
Later that night, while rocking Lily to sleep, an idea hit me. Brad’s weakness was his pride. He needed his haunted house to be the best. I didn’t have the energy for a fight, but revenge? That, I could handle.
The next day, I casually strolled over to Brad’s yard while he was adding more decorations.
“Hey, Brad,” I said, faking cheerfulness. “I’ve been thinking. It was inconsiderate of me to block your display. Have you thought about upgrading it?”
He looked suspicious. “Upgrade?”
“Yeah, with things like fog machines or ghost projectors. Your setup is great, but those would really impress people.”
His eyes lit up. I knew I had him.
I suggested brands I had researched—terrible machines with awful reviews. But he didn’t need to know that.
“You think so?” he asked, already planning his next move.
“Oh, definitely. You’d be the talk of the neighborhood.”
Satisfied, I walked away, waiting for Halloween.
When Halloween night came, Brad’s house looked like a scene from a horror movie. He had gone all out, as I expected.
Crowds gathered to admire his setup, and Brad was in the middle of it, enjoying the attention.
I watched from my porch, feeling like a villain in a movie. His display looked impressive—until it didn’t.
Right on cue, the fog machine sputtered and started spraying water like a garden hose. The crowd gasped, and kids laughed.
Brad rushed to fix it, but then his ghost projector malfunctioned. Instead of a spooky ghost, it showed a strange blob, making the kids laugh even more.
Then, one of his giant inflatables collapsed, rolling across the yard. Some teenagers, seeing the disaster, threw eggs at his house for fun.
Brad was frantic, running around trying to save his haunted house, but it was too late. His Halloween display had turned into a joke.
The next morning, just as I was feeding Lucas, there was a knock at the door. Brad stood there, looking defeated.
“I, uh, wanted to apologize,” he mumbled. “I overreacted.”
I crossed my arms, waiting. “Yeah, you did.”
He shifted uncomfortably. “I didn’t realize how hard it must be with the twins. I’m sorry.”
I let him squirm for a bit. “Thanks for apologizing, Brad. I’m sure it won’t happen again.”
He nodded quickly. “It won’t.”
As he turned to leave, I couldn’t help but add, “Funny how things work out, huh?”
Brad had no response.
Сlаudiа Саrdinаlе: Неrе’s whаt thе Itаliаn film iсоn lооks likе аt 85
Claudia Cardinale is Italy’s counterpart to France’s Brigitte Bardot. She quickly rose to stardom to almost just as quickly disappear from the scene later on. Now, Claudia Cardinale celebrates her 85th birthday.
The Italian star was originally discovered at a beauty contest held in 1957 by the Unitalia film company. The “most beautiful Italian woman of Tunis” subsequently won a trip to the Venice Film Festival that was to become a decisive turning point in her life. The sultry young woman was born on April 15, 1938, in Tunis, the capital of Tunisia. Her mother was French, and her father Italian.
In 1958, Cardinale, known as CC, played her first role in “Goha” opposite Omar Sharif before being trained as an actress at the Italian Film Academy in Rome. Her talents as an actress renowned for her dauntless rambunctiousness gained her fame, and her gaze into the camera became legendary.
Famous director Luchino Visconti gave her minor roles in “Rocco and his Brothers” (1960), as well as in the historical drama “The Leopard” (1962) with Alain Delon. As she later recounted in a biographical interview, she rebuffed all of her famous film partners, Jean-Paul Belmondo, Marcello Mastroianni, Alain Delon and Burt Lancaster.
A beauty queen turned into a film diva
Cardinale is Italy’s counterpart of Brigitte Bardot. But in contrast to Bardot, Cardinale never appeared nude in a film: “I always thought it was more erotic to leave some room to imagination, hinting at things rather than showing everything,” she told the German magazine Stern in 2014.
CC achieved her breakthrough with her performance in the highly popular Italo western “Once Upon a Time in the West” (1969). The classical western directed by Sergio Leone and starring Henry Fonda and Charles Bronson was shot in Rome’s Cinecittà studios and in Spain with some scenes set in Utah’s Monument Valley. The film that flopped in the US only acquired cult status in Europe.
CC’s career already saw a downswing in the 1970s. She then turned to television films, especially entertainment films where she showed some talent as a comedian. She got her last main role in a movie in 1971 when she starred opposite her main rival, Brigitte Bardot, in the Italo western comedy “Frenchie King.”
Spending time in a jungle with Werner Herzog
Ten years later, CC starred in German director Werner Herzog’s historical film “Fitzcarraldo” (1981). Although Claudia Cardinale had a difficult time enduring the bouts of anger of her eccentric film partner Klaus Kinski, she greatly enjoyed shooting and working with director Werner Herzog: “Being in the middle of the jungle with insects all around me and nothing to eat was one of my most wonderful adventures,” she later stated.
Claudia Cardinale and other heroines of European film
Claudia Cardinale is seen as Italy’s counterpart to France’s Brigitte Bardot. The actress who became a star in the 1950s and 60s now celebrates her 85th birthday.
Claudia Cardinale
She’s the youngest of Italy’s three major female stars. Claudia Cardinale worked with outstanding directors like Luchino Visconti and Federico Fellini. She fascinated audiences with her charming smile and acting skills in westerns, among them “Once Upon a Time in the West” and “The Professionals” (pictured).
Gina Lollobrigida
One of the most highly acclaimed European stars of the 1950s and 60s was Gina Lollobrigida who was born in the East of Rome in 1927. “Lollo” even made it to Hollywood where she was equally showered with praise. In the 1970s, however, she withdrew from showbiz.
Sophia Loren
Another Italian actress, Sophia Loren, who was a few years younger than Lollo, became her fiercest rival. The mutual hatred and jealousy of the two stars was a frequent topic in tabloids. In contrast to Lollobrigida, Sophia Loren continued to perform in movies even as an older woman.
Brigitte Bardot
During the same time, another sexpot rose to stardom in France with movies like “And God Created Woman” and “Love is my Profession.” Brigitte Bardot, the superstar of the Grande Nation, withdrew from film production in the 1970s to devote herself to animal rights causes.
Catherine Deneuve
A decade later, Bardot’s compatriot Catherine Deneuve broke onto the film scene. Deneuve differed much from both Loren and Lollo by playing roles as aloof and myterious women early in her career. Deneueve’s talent as an actress guaranteed her success throughout her life.
Romy Schneider
The two decades between 1960 and 1980 were also the golden era of German-French actress Romy Schneider. Born in Vienna, she made her breakthrough in the German-speaking world as “Sissi” before moving to France. In Paris, she became one of the most charismatic and impressive actresses of European film scene. But in her private life, she was anything but lucky. She died in 1982.
Penélope Cruz
One of the most famous Europen actresses in recent decades is Spanish actress Penélope Cruz. Cruz started her career in her home country before achieving fame in other European countries and, finally, Hollywood. Her performances received a lot of acclaim, especially in films by director Pedro Almodóvar, among them “Volver” (pictured).
Irene Papas
After 1945, actresses from smaller European nations were able to conquer the hearts of audiences across Europe. One of them was Irene Papas who is also renowned as a singer in her home country, Greece. She celebrated her biggest success in “Zorba the Greek” (1964) before also working in other European countries, and in Hollywood.
Tatjana Samoilova
While films from Italy, France, Germany and England dominated the film scene during the postwar era, it should not be forgotten that eastern Europe had much to offer too. One of the biggest female stars of Russian film was certainly Tatjana Samoilova who achieved world fame with the movie “The Cranes are Flying” (1957).
Krystyna Janda
Polish actress Krystyna Janda became known in the 1970s for her performances in films by Polish director Andrzej Wajda. She then performed in international co-productions with stars like Lino Ventura. In her home country, Krystyna Janda is also known as a singer and an an author.
In 1993, CC received a Golden Lion for lifetime achievement at the Venice Film Festival to be followed in 2002 by an “honorary bear” at the Berlinale. The spirited actress performed in more than 100 films.
In 2017, CC once again drew attention at an international film festival. A photo depicting her as a young actress embellished a placard in Cannes where she had often been invited as an honorary guest. On April 15, Claudia Cardinale will turn 80. Happy birthday!
This article was originally published April 15, 2018 and updated.
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