He has also claimed he was a close friend of the star towards the end of his life and released the tribute song Cry Out Of Joy after his death.
Jackson’s former stylist and hairdresser Steve Erhardt, who initially wrote a Facebook message to “believers” – the singer’s fans who still cling to the idea he is still alive – in 2017 saying he had a message for them.
The message said: “A tip for the believers, the Michael Jackson believers. You heard it here first, an announcement of sorts.
COMEBACK
“And in a couple of months, or latest at the end of the year, you will be receiving some very good news.
“It’s almost unbelievable. And not even the family knows… but I do.”
Erhardt has never made public exactly what the post referred to.
In June last year he shared another enigmatic post showing only the leg of a man wearing Jacko’s trademark white socks and baggy, short black trousers.
The post said: “In a recording studio, somewhere in the world, in an undisclosed location, he’s coming soon.”
Further fuelling the strange conspiracy theories has been a YouTube channel, “BeLIEve” focused on debating if Jackson is still alive.
In one video, it states: “Michael’s friend, Hollywood hair designer Steve Erhardt, told us last year that he would give good news to Believers (I mean people who believe that Michael Jackson is alive).
“Now he shared something that excited the fans.”
Michael Turegano, who has investigated Jacko’s death for almost a decade, said that Erhardt’s claims should not be dismissed.
He said last year: “He’s been in contact with Michael in the past. So I think we should care what he says.”
Jackson died after suffering a heart attack in 2009 but some people have refused to believe that is really what happened.
His personal physician, Conrad Murray, was convicted of involuntary manslaughter over his death, which was deemed to be a homicide, the Los Angeles County Coroner ruled.
Breaking: Whoopi Goldberg Stands in Support of Beyoncé, Vows to Leave the US with Her, “Beyoncé Is Country, I Can Assure You”
Goldberg’s departure from the United States, accompanied by Beyoncé, goes beyond mere personal support. It serves as a powerful declaration against the stifling cultural constraints that artists encounter when venturing into uncharted territories of creative expression. Goldberg elucidated, “When an artist as renowned as Beyoncé encounters resistance and criticism while exploring her musical roots and inspirations, it becomes evident that it is imperative to seek a haven that truly values and embraces artistic liberty.”
The planned departure of Goldberg and Beyoncé has ignited a broad conversation about the demands on artists and the significance of genres in music. Professionals in the industry contend that music, as with any art form, should be progressive and innovative. Dr. Lena Morris, an ethnomusicologist, remarks, “Genres have consistently transformed. The country music we perceive as ‘pure’ today was actually a fusion of blues, folk, and gospel music from the past. Beyoncé’s contributions carry on this legacy of mixing and reimagining.”
Advocates for Goldberg and Beyoncé emphasize that their departure could bring attention to the larger problem of minority artists being typecast into particular genres and pressured to remain in those boundaries. The online community has witnessed an increase in messages and hashtags such as #ArtistsWithoutBorders and #GenreEvolution, as supporters and peers express their opinions on the necessity for a broader and adaptable interpretation of music genres.
On the other hand, there are critics who argue that Beyoncé and Goldberg’s decision to leave the country may be seen as an exaggerated response. They propose that challenging the existing norms from within could potentially bring about more significant changes in the industry. Music critic Jason Keeler expressed, “Although I understand their frustration, abandoning the U.S. music scene could be interpreted as giving up rather than striving to broaden the scope of country music.”
As the ongoing debate persists, it is evident that the impact of Beyoncé’s Cowboy Carter and the resulting controversy has surpassed the realm of music, delving into deeper issues of cultural identity and artistic integrity. The discussions it has sparked regarding genre, race, and the future of the music industry are likely to shape how artists are perceived and granted the freedom to express themselves.
Looking forward, the departure of Goldberg and Beyoncé could establish a new standard for artists dealing with similar challenges, indicating that the international music scene may evolve into a fresh arena for creative freedom. This action might inspire more artists to search for environments that embrace diverse forms of artistic expression, potentially leading to a more interconnected and less genre-restricted music landscape.
In summary, Whoopi Goldberg’s choice to support Beyoncé and depart from the United States marks a pivotal moment for the music industry. It emphasizes the necessity for greater openness to artistic exploration and raises complex issues regarding cultural authenticity and the transformation of music genres. As these influential figures prepare for their next phase, the world observes and anticipates the impact of their bold decisions on the cultural realm.
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