If only the world was more like this the show Leave It to beaver, the world would be a much better place.
However, even the sun has its spots, and Leave It to Beaver was not without its share of mistakes and lesser-known quirks behind the scenes.
Set a higher standard
Despite being centered around a fictional family, Leave It to Beaver set a higher standard of wholesome decency for Americans, contrasting sharply with other television programs that have progressively declined in quality since its airing.
The beloved American television sitcom captured the hearts of audiences during its original run from 1957 to 1963, becoming iconic for its portrayal of idyllic family values and wholesome humor.
To put it simple, the series was very well-written and funny as hell.
But now, let’s take a look at some hilarious moments that weren’t meant to make it on screen — what we call bloopers or goofs. There’s one particular scene that really surprised me; a scene that wasn’t edited out and features an unexpected blooper.
June Cleaver’s calendar
One well-known mistake, which I had never heard about until now, involves June Cleaver’s calendar. Over the years, the Cleaver household has been presented as the quintessential example of good housekeeping.
Every organized and well-planned home, of course, has a calendar to keep track of important dates. June Cleaver certainly had her calendar, but it seems they forgot to update the one hanging on the wall of the Cleaver home.
For those with sharp eyes, you can spot that June Cleaver’s calendar displayed incorrect dates in the episode The Poor Loser, from 1963. In fact, the show likely used a calendar from 1961.
In the same episode, Ward and Beaver are set to go watch a baseball game. During a close-up of the tickets, there’s a noticeable error: “Mayfield” is misspelled as “Mayfied” in the smaller print, even though it’s spelled correctly in the large print.
The fake bee
In earlier times, special effects were far from the efficient technology we have today, and filmmakers had to rely on more analog methods. For those of you who remember the episode The Silent Treatment, you might recall a scene where Beaver is painting a door and a bee suddenly takes an interest in him.
Naturally, using real bees posed significant challenges, so the production team resorted to a fake bee hovering on a string. If you look closely, you can clearly see the string bouncing around Beaver’s face!
“I got in a lot less trouble”
Jerry Mathers portrayed Theodore “Beaver” Cleaver and quickly became everyone’s favorite kid brother. The actor, who celebrated his 76th birthday in 2024, remains alive and well.
He has also been asked whether his off-screen personality mirrored any aspects of Beaver’s character.
“Well, I got in a lot less trouble,” he laughed. “But then again, I had a lot of people watching me all the time. Because when I was due doing the show, there were about 60 men and probably eight or nine women on the show these were lighting people and all the different things that they have to do to make a series. Between takes, when I wasn’t doing things, they would come out and we’d play — throw footballs, throw baseballs. It was like an extended family. There was a whole bunch of people, and they wanted me not to say, ‘I don’t want to be here anymore.’”
Jerry Mathers’ infamous audition
When it comes to Jerry Mathers, one can’t help but mention his infamous audition for the role of Beaver. He made quite the impression — let’s just say it was memorable.
“I came dressed in a Cub Scout uniform, so that should have been a big clue,” Mathers recalled.
The young boy was supposed to head to his Cub Scouts meeting right after the audition, and he wasn’t particularly enthusiastic about being there. However,he quickly impressed the show’s creators, Joe Connolly and Bob Mosher, with his natural charm, innocence, and ability to deliver lines authentically.
Mathers candidly expressed his concerns about missing his Cub Scouts meeting, which only added to his charm. The producers found his honesty refreshing and knew immediately that he was the perfect choice for the role.
Ironically, there wasn’t much time for scouting for Mathers after he landed the role of Theodore.
“We had to go to school for three hours a day, and it could be chopped up, because we’d go out and if they’d shoot the original, the long shot, and then we’d do closeups. You were jumping in and out of school all the time, and you’d come back 20 minutes later and you study for maybe another 40 minutes, and then you have to do another scene or whatever,” Jerry explained.
Negotiating genius
Jimmy Mathers was a trailblazer in more ways than one; he became the first child actor to negotiate a deal that entitled him to a slice of the merchandising pie from a TV show. Talk about smart business moves!
This savvy decision turned out to be quite the cash cow, as Leave It to Beaver continues to rake in revenue more than 60 years after its original run. Who knew that a show about a kid in a striped shirt and his misadventures could keep making money long after the final credits rolled?
Tony Dow was not the original Wally
Actor Tony Dow is best known for his role as Wally Cleaver, the quintessential All-American older brother to Theodore “Beaver” Cleaver and son of Ward and June Cleaver.
In the beloved series Leave It to Beaver, Wally navigates the ups and downs of teenage life, tackling relatable issues like dating while offering guidance to his more mischievous younger brother, Beaver.
Dow’s portrayal of Wally was nothing short of iconic; his charm, warmth, and relatable persona helped make Wally a household name. But did you know he wasn’t the first actor cast in the role?
The pilot episode originally featured Paul Sullivan as Wally Cleaver, but he was replaced because a sudden growth spurt made him appear too old for the role.
June Cleaver’s hidden scar
Barbara Billingsley, best known for her role as June Cleaver, will forever be remembered for vacuuming the Cleaver living room while impeccably dressed in high heels and pearls.
Her portrayal of parenting was characterized by calmness and respect, setting a new standard for family-oriented sit-coms.
However, there’s more to June’s trademark look than meets the eye. The actress wore her iconic pearls to conceal a surgical scar at the base of her neck that she preferred to keep hidden. As for the high heels, they were a practical choice to maintain height parity with her growing sons.
Did Jerry Mathers and Tony Dow get along?
Studying photos from the Leave It to Beaver set reveals the undeniable bond between Tony Dow and Jerry Mathers.
”Wally is the perfect big brother,” Jerry Mathers said in a 2006 interview with the Television Academy Foundation.
“He’s the champion basketball player, football player. He does everything right. He’s a huge letterman. He gets A’s on all his papers. Everyone loves him.”
Their connection shined through in their eyes and body language, showcasing the genuine emotions that made their characters resonate so deeply. It’s hard to portray such strong sibling dynamics without real feelings behind them.
For those curious, Tony and Jerry truly became best friends during filming and maintained that lifelong friendship.
Following Dow’s passing in 2022, Mathers expressed his grief, saying, ”He was not only my brother on TV, but in many ways in life as well. Tony leaves an empty space in my heart that won’t be filled.”
Jerry Mathers was not killed in Vietnam
Did you know that Jerry Mathers was once rumored to have died in Vietnam? Thankfully, that was just a false report.
The young actor was never in Vietnam. Although he attempted to enlist in the Marines, he was turned down due to concerns that sending him overseas could lead to negative publicity if anything happened to him. Instead, Mathers enlisted in the Air National Guard, where he spent his service time in the United States.
The most expensive episode
One of the most legendary episodes of Leave It to Beaver aired on May 5, 1961. In a memorable scene, Beaver climbs up to prove that there’s no soup in a giant cup on a billboard but accidentally falls in.
This particular episode had a production cost of $40,000, making it the most expensive of the entire series. It also became one of Jerry Mathers’ most memorable episode, as he struggled with a fear of heights.
Toilet on screen
Leave It to Beaver was groundbreaking in many ways. One of the show’s unique aspects was its focus on the children’s perspective, which allowed viewers to connect with the characters on a deeper level. Another significant feature was its ability to highlight everyday aspects of family life.
This was notably exemplified in an episode where Wally carries a toilet seat, marking a pivotal moment in television history.
Even if only the tank was visible, it was among the earliest programs to showcase a bathroom in any form. In the 1950s, networks were extremely hesitant to display bathrooms on television, let alone an actual toilet.
The first episode almost never made it on air
The first episode of Leave it to Beaver was banned from airing due to its content involving an alligator and the portrayal of a bathroom, which was not allowed on television at the time.
In the very first episode, Wally and the Beaver decide to buy a pet alligator. Jerry Mathers recalled, “We were going to put it in the toilet because we knew alligators needed water. At that time, you not only couldn’t show a toilet, but you also couldn’t show a bathroom on television. It was prohibited.”
The show’s producers battled with censors to include the bathroom scene, ultimately reaching a compromise to only show the back of the toilet tank. “That was a way that Leave It to Beaver actually set some precedents for the television industry: We were the first show to depict a bathroom,” Mathers explained, talking with Fox News.
No laughing policy
The show’s creators sought a gentle comedic tone, they preferred elicit chuckles rather than uproarious laughter.
This intentional choice played a significant role in shaping the show’s unique atmosphere, fostering a warm, family-friendly environment.
The producers believed comedy should stem naturally from the characters and their interactions, avoiding exaggerated jokes or over-the-top humor. As Tony Dow put it: “If any line got too much of a laugh, they’d cut it.”
As we wrap up our dive into the delightful world of Leave It to Beaver, it’s clear that this classic sitcom was more than just a reflection of family life in the ’50s and ’60s — it was a treasure trove of laughter, quirks, and unforgettable bloopers.
So, next time you settle in to watch an episode of Leave It to Beaver, remember to keep an eye out for those little moments, After all, who doesn’t love a good blooper? Here’s to the laughs, the memories, and the timeless charm of Leave It to Beaver! Feel free to share your favorite bloopers and funny facts with us on social media — we’d love to hear what made you chuckle!
Actor Ali MacGraw sacrificed her own career for Steve McQueen
Ali MacGraw became a Hollywood superstar overnight. But just as quickly as she rose to fame, she disappeared from show business altogether.
Today, the 84-year-old actress has settled down in a remote and tiny town, and she’s aging gracefully with her grey hair.
Ali MacGraw
Ali MacGraw – born Elizabeth Alice MacGraw – was born on April 1, 1939, in Pound Ridge, New York, USA. Her mother, Frances, was an artist and worked at a school in Paris, later settling in Greenwich Village. She married Richard MacGraw, who was also an artist. In 1939, Ali was born.
Ali’s father Richard supposedly had issues from his own childhood which made him a little bit different from others.
He had survived a terrible childhood in an orphanage, running away at the age of 16 to go to sea. He would later study at an art school in Munich, Germany.
“Daddy was frightened and really, really angry. He never forgave his real parents for giving him up,” Ali explained, saying said her father’s adult life was spent “suppressing the rage that covered all his hurt.”
Ali MacGraw – childhood
Money was short for their family, too. Frances and Richard, together with Ali and her brother, Richard Jr, had to move into a house on a Pound Ridge wilderness preserve which they shared with an elderly couple.
“There were no doors; we shared the kitchen and bathroom with them,” Ali said. “It was utter lack of privacy. It was horrible.”
Mom Francis worked with several commercial-art assignments and supported the family. At the same time, Richard had a hard time selling his paintings, and as a result became very frustrated. Ali’s brother Richard became a victim for his anger at home.
“On good days he was great, but on bad days he was horrendous,” she recalled. “Daddy would beat my brother up, badly. I was witness to it, and it was terrible.”
Ali was the daughter of artists, and she knew that she, too, wanted to go into a creative line of work as she got older. She earned a scholarship at the prep school Rosemary Hall, and in 1956, she moved to study at Wellesley College in Massachusetts.
By the age of 22, Ali MacGraw moved to New York and got her first job as an assistant editor at Harper’s Bazaar, working with photographers as an assistant.
Fashion work in New York
Fashion editor Diana Vreeland hired Ali as, what she recalls as, a “flunkie”. Ever seen the film The Devil Wears Prada? Well, it was pretty much that.
“It was ‘Girl! Get me a pencil!’,” MacGraw recalled.
The future Hollywood celebrity worked her job as an assistant for several months. Then, about six months in, fashion photographer Melvin Sokolsky noticed her beautiful looks, and Ali MacGraw was hired as a stylist,and given a better salary. She’d end up staying in that position for six years.
“I don’t know where she got this work ethic, but Ali would come in at eight a.m., and many times I’d come back at one in the morning and she would still be doing things for the next day,” Ruth Ansel, a former art director of Vanity Fair and Harper’s Bazaar recalls.
Ali was great as a stylist. But soon, she was asked to work in front of the cameras as a model. It didn’t take long before she was on magazine covers all over the world, even appearing in television commercials. For thing led to another, and Ali tumbled headfirst into the profession of acting.
She had been sketched nude by Salvador Dali a couple of years earlier. But when the surrealist artist started sucking her toes, MacGraw decided that she’d rather be an actress than a model.
Ali MacGraw – films
Ali went straight from an unknown stylist and into the world of cinema, and boy, did she do it with a bang.
She was untutored in the art of film, which gave her acting another dimension. Her natural beauty was stunning, and the audience loved her.
Following a small role in A Lovely Way to Die (1968), she was asked to star in the 1969 film Goodbye, Columbus. It turned out to be a great call, with MacGraw receiving a Golden Globe for Most Promising Newcomer – Female. The following year, she got her big international breakthrough with a role that would pretty much sum up her career.
Ali MacGraw had received a script from her agent. She’d read it and wept twice because of how much she loved it. She decided she really wanted a part in it, and got herself a meeting with the film’s producer Robert Evans – who at the time was Paramount Picture’s head of production – at the Beverly Hills Hotel’s Polo Lounge. Not only did Evans think she was perfect for the part in the movie Love Story, he absolutely fell in love with her.
MacGraw – playing the role of Jenny – acted alongside Ryan O’Neal in the movie Love Story. The American romantic drama film, in which Ali played a working-class college student, became a smash hit.
Love Story hit the cinemas in 1970, and wow did the audience cherish it. It became the No. 1 film in the United States, and at the time, it was the sixth highest grossing movie in history in the US and Canada.
Award-winning actress
MacGraw earned an Academy Award nomination for her role, and the film itself earned her another win and five Academy Award Nominations. She also won herself a second Golden Globe as Best Actress in a Motion Picture – Drama.
Film producer Robert Evans not only loved her on screen, he had fallen in love with her in real life, and that love was reciprocated. In 1969, the couple tied the knot, and two years later, they welcomed their son, Josh Evans.
Ali MacGraw was the hot new star of the 1970s, but her private life and marriage with Evans would soon come to an end. Steve McQueen had visited their home to ask her to star alongside him in The Getaway, and the two Hollywood stars clicked right away.
“I looked in those blue eyes, and my knees started knocking,” MacGraw recalled. “I became obsessed.”
MacGraw and McQueen had an affair, and she soon left Evans to live with the actor in Malibu, along with her son Josh.
“Steve was this very original, principled guy who didn’t seem to be part of the system, and I loved that,” she said.
Ali MacGraw – Steve McQueen
But after a while, Ali realized that Steve McQueen had his own problems. Following his father abandoning his mother, a then-14-year-old Steve was sent to a school for delinquent children. MacGraw said he never trusted women after that.
(Photo by Silver Screen Collection/Getty Images)
He didn’t like that she worked and had her own career. For a while, Ali stayed home to raise their sons. But her husband’s demands were something Ali simply couldn’t accept in the long run.
Not only that, but he’d explode if she even looked at another man. He also wanted her to sign a prenuptial agreement, promising not to ask for anything if they’d divorce. She abided by the agreement when they did divorce in 1978.
“I couldn’t even go to art class because Steve expected his ‘old lady’ to be there every night with dinner on the table,” she recalled.
“Steve’s idea of hot was not me. He liked blond bimbos, and they were always around.”
This was the start of a pretty dark time in MacGraw’s life. She arrived on set to shoot the 1978 film Convoy both drunk and high, which prompted her to quit drugs.
Leave a Reply