Jacqueline Bisset is magnificent – in so many ways.
In a career spanning 58 years and a portfolio that includes about 50 films, the 78-year-old actress shows no signs of slowing down.
Jacqueline Bisset has been one of my role models since I was a very little girl, my parents just loved her. To me, she really is one of the few actresses that represent the glamour that Hollywood once had.
I admire her aging naturally and always thought she had a very natural beauty and sex appeal. She never wore tons of makeup.
Throughout her storied career, the brown-haired beauty, known for her high cheekbones and striking green eyes, has demonstrated her versatility by playing a range of characters including the sultry seductress Miss Goodthighs in the spy parody Casino Royale (1967), a devoted mother in Sleepy Time Gal (2001), First Lady Jacqueline Kennedy Onassis in America’s Prince: The John F. Kennedy Jr. Story (2003) and Anna Karenina (1985) in the sweeping love story of the same name, where she starred opposite Christopher Reeves.
Bisset made her first on-screen appearance in Roman Polanski’s Cul-de-Sac (1966) and gained notoriety in 1968 when she starred in back-to-back films in one single year: Detective with crooner Frank Sinatra, Bullitt with Steven McQueen, and her Golden Globe-nominated performance in The Sweet Ride with Tony Franciosa and Bob Denver, who’s famously known as Gilligan on Gilligan’s Island.
You’ll also recognize her from her performances in Day for Night (1973), Murder on the Orient Express (1974), The Deep (1977), Wild Orchid (1990), her Golden Globe and Emmy-nominated role in Joan of Arc (1999), her Golden Globe-winning role in the miniseries Dancing on the Edge (2013), Miss You Already (2015) and Birds of Paradise (2021).
In 2010, the multilingual actor–she speaks English, French and Italian–was awarded the Legion of Honor, the highest state order in France, and in 2023, Sedona International Film Festival recognized Bisset with a Lifetime Achievement Award.
Despite filming with some of Hollywood’s hottest men, Bisset has never been married. The stunning woman was pursued by Frank Sinatra, and rumors swirled that she was involved with Bullitt co-star, Hollywood bad boy, Steve McQueen. But Bisset, a proper English lady, said they were too different.
Referring to McQueen, she said in an interview with the Daily Mail, “He was attractive, but a little scary. I was very English and he was a hip American. The way he talked would have driven me mad–I didn’t know what a dude or a soul chick was!”
She’s had long-term relationships with Canadian actor Michael Sarrazin, the ballet dancer Alexander Godunov and actor Vincent Pérez, but she admits she’s too independent for anything permanent.
In an interview with the Independent, Bisset said, “I’ve had some very interesting men in my life. They have been a handful. I don’t choose easy men, I’m told.” She continued, “Sometimes you get too much information when you spend time with people. You start to see things–bad habits. You start to discover them and then you have to marry bad habits and I’m not sure I can cope with them. I don’t ever have bad relationships. I haven’t broken up angry. I’ve just moved out of situations that have been overwhelming.”
Though Bisset–Godmother to Angelina Jolie–hasn’t made headlines for having outrageous relationships, she was trending after she won the Golden Globe for her portrayal as Lady Cremone in the BBC series Dancing on the Edge.
Her acceptance speech, with the background music playing to signal her off the stage, was mostly filled with ramblings but demonstrated genuine gratitude from the then 69-year-old, who had been waiting 47 years to win, since her first nomination for best newcomer.
Since then, she starred as a sassy femme fatale in the French thriller The Lodger (2020), and most recently, she appeared in the film Loren & Rose (2022). Bisset plays the lead character Rose, a legendary actor trying to re-establish her career, who’s bound by a reputation that casts her as being a “little zany and a bit unreliable.”
According to the film’s director Russell Brown, the character of Rose is the opposite of Bisset in real life. Brown said, “Viewers often assume that Jacqueline is ‘like she is in the movie.’ But this really isn’t the case–as an actress and a woman, I think she is quite different from Rose, and it’s a testament to her skill that the transformation feels so seamless.”
Bisset is a timeless beauty who embraces aging with grace. In her infamous Golden Globes speech, she said: ‘I believe, if you want to look good, you’ve got to forgive everybody. It’s the best beauty treatment.’
She’s also said that though in her youth she had “lots of complexes” she was never tempted by plastic surgery. “I don’t think it makes you look younger. It makes you different,” said Bisset.
‘We Left. As Did LOTS of the Crowd’: Fans Shame Miranda Lambert for Her Behavior at Montana Festival – What Happened?
Country music star Miranda Lambert is no stranger to the spotlight, but her recent performance at the Montana Festival has sparked considerable controversy and disappointment among fans. As videos circulated on social media, many expressed their disillusionment, with some claiming they’ve lost interest in the artist altogether. This incident is not the first time Lambert has faced backlash for her behavior on stage, and it raises questions about the balance between performer and audience.
On July 14, during her set at the Montana Festival, Lambert addressed the crowd in a way that many found off-putting. In a clip shared widely online, she can be seen reprimanding the audience for their apparent lack of attention. “I can see your head is not turned the right way, which is this way,” she declared, pointing to herself as if to remind them where the focus should be.
The crowd’s reaction was mixed; while some fans cheered in support of their favorite artist, others felt uncomfortable and even embarrassed. Many attendees, who had come to enjoy the music, began to leave the venue, disheartened by Lambert’s apparent frustration. The atmosphere shifted dramatically from one of excitement to tension, leaving many wondering if this was the Miranda they had once adored.
Social media erupted in response to the incident. Posts flooded platforms, with many fans expressing their disappointment in Lambert’s behavior. Comments ranged from supportive to critical, with some users stating they felt “disrespected” by her attitude. “I used to love her music, but now I’m questioning if I want to support an artist who treats her fans like this,” one commenter wrote.
This backlash has sparked a broader conversation about celebrity behavior and audience expectations. Fans have increasingly voiced their desire for artists to create an inclusive and positive experience, rather than alienating those who have come to enjoy their performances.
This incident is not an isolated occurrence for Lambert. In the past, she has faced scrutiny for her on-stage demeanor, including instances where her comments and actions have rubbed fans the wrong way. Critics argue that such behavior reflects a growing trend among some artists who may take their success for granted and forget the importance of their audience.
For many fans, music is a sanctuary, a place where they can escape their daily lives and connect with others. When an artist behaves in a way that seems dismissive or condescending, it can shatter that illusion and leave listeners feeling alienated. Lambert’s recent actions have raised concerns that she may not fully appreciate the relationship between artist and fan, which is built on mutual respect and admiration.
As the backlash continues to grow, the question remains: what does this mean for Miranda Lambert’s career moving forward? Many fans are vocal about their discontent, but Lambert has a long-standing career filled with chart-topping hits and a loyal following. However, with the rise of social media, artists are more exposed than ever, and a single misstep can lead to a significant shift in public perception.
It will be interesting to see how Lambert addresses this situation, if at all. Will she acknowledge the backlash and make an effort to mend her relationship with fans, or will she brush it off as just another fleeting controversy? In the fast-paced world of country music, the response to such incidents can often dictate an artist’s trajectory.
This incident serves as a reminder of the complexities of celebrity culture. Fans invest emotionally in artists, and when those artists act in a way that feels dismissive, it can lead to a deep sense of betrayal. As the lines between performer and audience continue to blur, it is crucial for artists to recognize their role in shaping the experience of their fans.
Miranda Lambert’s recent actions at the Montana Festival have left many questioning not only her behavior but also the values that underpin the relationship between artists and their supporters. As the dust settles, it remains to be seen whether Lambert will take this opportunity for reflection and growth or whether the controversy will simply fade away, leaving her with a tarnished reputation in the eyes of some fans.
The fallout from the Montana Festival is just one chapter in the ongoing story of Miranda Lambert’s career. While she has captivated audiences with her powerful voice and heartfelt lyrics, her recent behavior raises important questions about accountability and connection in the music industry. As fans await her next move, one thing is clear: the relationship between artists and their audience is a delicate balance, one that requires mutual respect and
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