

We all have different traditions when it comes to commemorating and paying tribute to our loved ones who have passed away.
In today’s world, honoring the customs of others while commemorating the lives of the departed ought to come as standard practice. Some may choose to follow traditions or practices that the rest of us are not familiar with, but it doesn’t make them any less legitimate.
The same is true with gravestones and the ornamentation certain families choose to place over their loved ones’ last resting places. Coins being placed on headstones is one custom that is widely practiced and that you have probably witnessed at some point. However, why is this even a thing? And from whence did it originate? Continue reading to learn more.
Coins are traditionally placed on gravestones in cemeteries around the United States and other countries. When I was a little child, I first observed it when I was at my grandfather’s tomb, and even then, I started to wonder what it was all about.
Luckily, finding the beginnings online doesn’t need much research. Although it was previously thought that the practice originated with Roman military troops, a number of sources have disproved that theory in recent years.
Still, there’s a military connection to leaving pennies on gravestones. The American Legion Website states on one of its pages that it can be linked to the Vietnam War.
“Leaving a coin was considered a more practical way to communicate that you had visited the soldier’s grave than contacting the soldier’s family, which could devolve into an uncomfortable argument over politics relating to the war, due to the political divide in the country over the war.”

There are other reasons why veterans leave pennies on gravestones in memory of their fallen friends; occasionally, they do so in order to purchase a beer for them. Each coin represents a different meaning, according to reports.
For instance, a nickel is left by someone who served in boot camp with the deceased, whereas a penny just indicates that someone was present.
On the other hand, a dime represents a combined period of military service. Next are quarters, which inform the family of the presence of whoever left the coin at the moment of the loved one’s passing.

Ever notice a penny left on a gravestone? Were you aware of its meaning? Tell us in the comments below.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.

Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.

He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.

“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”

Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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