The Holiday favorite last appeared on screen as Miss Colleen Hannigan in 2014’s Annie
Cameron Diaz has been a bona fide Hollywood darling since making her point- film debut beside Jim Carrey in 1994’s The Mask.
Following her part as Tina Carlyle in the blockbuster, the 52- time-old went on to appear in classics like My Stylish Friend’s marriage, raised Princess Fiona in the Shrek ballot and played Natalie Cook in 2000s Charlie’s Angels and its effect, Full Throttle.
Now if you cast your mind back to 2014, Diaz was having a shelter of a time.
She was Carly Whitten in The Other Woman, Annie Hargrove in Jake Kasdan’s coitus Tape recording and Miss Hannigan in the Annie reboot.
But after stepping out as the matriarch of the iconic Hudson St Orphanage, Diaz mysteriously went silent.
A decade latterly, the Californian has lifted the lid on why she decided to suddenly quit Hollywood and exit the limelight.
The concession comes as Diaz gears up to make her return to the tableware screen with the aptly named action comedy film, Back in Action.
The mama – of- two will play former CIA asset Emily contrary Jamie Foxx’s Matt as she and her mate are forced to return to work after their secret individualities are exposed.
Back in Action, directed by Seth Gordon, is set to debut on Netflix on 17 January 17 and comes ahead of Shrek 5’s cinematic release in July 2026.
The direct effect to 2010’s Shrek Forever After will see Diaz reprising her voice part as Princess Fiona alongside Mike Myers as the nominal Dream works character and Eddie Murphy as their noble horse, jackass.
Making it a chapeau- trick, Diaz is also presently rephotographing the Apple TV movie outgrowth.
The Jonah Hill- directed design is billed as a black comedy and will star The Holiday alumna in an unnamed part.
The star- speckled also cast includes Keanu Reeves, Laverne Cox and Bottoms’ Kaia Gerber.
So with her triumphant assiduity return on the horizon, why did Diaz move down from the spotlight in the first place?
Appearing at Fortune’s utmost important Women Summit in California before this week( October 14), Diaz admitted bowing out was just ‘ commodity’ she had to do.
“ It felt like the right thing for me, to reclaim my own life, and I just really didn’t watch about anything differently, I didn’t.
“ And nothing’s opinion, nothing’s success, no bone’s offer, no bone’s anything could change my mind about my decision of taking care of myself and erecting the life that I really wanted to have, ” she continued, as per The Hollywood journalist.
The actress continued to claim that erecting a family came commodity she was ‘ passionate about’ and that working in the assiduity no longer ‘ fed her soul’.
Thankfully, it appears the star has re-found her spark, with all eyes now on Diaz’s imminent return.
‘Little Miss Dynamite’ blew up the charts when she was only 12: The story of Brenda Lee
Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
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