In a bold move challenging societal beauty standards, a man has revealed the striking outcomes of his decision to undergo eye plastic surgery and remove facial fillers. The transformative journey, documented on social media, has captivated audiences, leaving them awestruck by the dramatic changes.
He wanted to look ’plastic.’
David Kosir, embarked on a relentless pursuit of his ideal aesthetic through cosmetic surgery, gaining notoriety for his extravagant transformation journey. Kosir’s fascination with plastic enhancement began in 2019 with the innocuous use of fillers, gradually escalating into a full-blown obsession. His journey saw him traversing the globe in pursuit of his ideal look, with each procedure contributing to the evolution of his appearance.
May 2021 marked a significant milestone as he underwent his first permanent procedure. Kosir’s aspirations for a «human, male Barbie doll look, like Ken» underscored his admiration for the «plastic, fake» aesthetic, which he deemed the pinnacle of beauty. His story serves as a compelling testament to the lengths individuals will go to achieve their desired image.
David Kosir spent a lot of money in beauty procedures.
David Kosir spared no expense in his pursuit of aesthetic enhancements, admitting to investing a substantial sum in various beauty procedures. Kosir allocated $100,000 to plastic surgery endeavors, including acquiring 14 milliliters of lip filler for $7,500, undergoing monthly freckle laser removal sessions costing $1,200, receiving 10 milliliters of cheek filler for $7,000, etc.
Additionally, Kosir underwent a nose job for $13,000, invested $33,000 in teeth veneers and crowns. Kosir attributed his continued inspiration to the influx of images portraying beautifully enhanced individuals on his social media platforms.
Kosir decided to remove all his facial filler.
Last year, David Kosir, widely recognized as @plasticbotchedboy online, made headlines uploading a video with the caption «removed all my facial filler.» This video, showcasing a dramatic before-and-after transformation, quickly went viral, amassing a staggering 22 million views.
Viewers were astounded by the visible difference, flooding the comments section with praise for the change. Comments such as «The best thing he could have done», «Looks so much better without, looked funky before,» and «you instantly look younger, so much more youthful!» flooded in, highlighting the overwhelmingly positive response to Kosir’s decision to reverse his cosmetic enhancements.
He additionally underwent further procedures.
Following the removal of his fillers, David Kosir embarked on a comprehensive series of cosmetic procedures, including cat eyes, cheek lift, lip lift, and facial fat transfer, among others. The initial aftermath of these surgeries presented a dramatically altered appearance, prompting widespread speculation and concern among viewers.
A viral video capturing his swollen post-operative face fueled skepticism about the outcome. However, as time passed, Kosir revealed the stunning results of his transformation, showcasing his healed and refined features. The remarkable change received an outpouring of praise from admirers, with comments like, «You know what, I didn’t trust the process at first….but now that you’re healed, you look gorgeous» flooding in.
Talking about major plastic surgery changes to one’s face might conjure images of subtle tweaks, but the story behind «I Spent $1MILLION on Plastic Surgery to Look Like a Barbie Doll» takes transformation to an entirely new level. This captivating article explores the incredible transformation of a person who invested a staggering amount to resemble the iconic Barbie doll.
With her blond hair & blue eyes, she was making waves in Hollywood – but look at her now
Kathleen Turner rose to fame in the 1980s with her strength and attractiveness – many consider her one of the most beautiful actresses in Hollywood.
It is this fortitude that has helped her through the many goods and bad times the actress has experienced over the years.
Kathleen Turner was reared in a home with four other children despite having a difficult upbringing. She and her siblings were raised in both Venezuela and London. She experienced tragedy when, at a young age, her father passed tragically suddenly while mowing the lawn of their Hampstead house.
The foreign service expelled Kathleen and her family from the UK a month after his death. Turner moved her family to Springfield, Missouri, where everyone was still mourning their father and their former residence..
After relocating to New York to pursue an acting career as an adult, Tuner at last experienced calm. Although she had some success on the stage, her big break came when she was cast as the femme fatale in the 1981 film “Body Heat.”
Three years after starring next to William Hurt, Turner was given a chance to co-star with Michael Douglas in the famous “Romancing the Stone.” Douglas was in a rocky separation from his wife Diandra at the time of filming, and he and Turner developed some feelings for each other.
“We were in the process of falling in love – fervent, longing looks and heavy flirtation. Then Diandra came down and reminded me he was still married,” Kathleen said.
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She eventually married the property developer from the film, Jay Weiss, in 1984. The two had their only daughter together soon after. Rachel Ann Weiss was born on October 14, 1987.
Unfortunately, the couple’s relationship began to fracture as they started raising their daughter.
“I’d make the movie companies give me long weekends or provide extra tickets so my daughter and husband could come to me. But there was a sense in the marriage the effort was all on his side, which made me feel guilty. It was one of the reasons it ended. I started to feel very oppressed. I thought, ‘Hang on a minute, you’ve done very well out of being married to me also,’” Kathleen explained.
Their marital issues reached a breaking point when Turner played Martha in the Broadway revival of “Who’s Afraid of Virginia Woolf?” in 2005. Acting in eight performances a week caused Turner to become exceedingly busy, and it seemed Weiss didn’t want to spend any time with her when she was at home.
Turner received a Tony nomination for her performance as Martha during that period, and the two split peacefully.
In 1987, the actress received an Oscar nomination for her performance in “Peggy Sue Got Married.” In the 1980s, she continued to make movies and appeared in a number of blockbusters, three of which starring Michael Douglas.
Kathleen, however, suffered a medical setback in the 1990s when her neck locked, preventing her from turning her head. She also lost the ability to use her hands because of swelling in them.
“It was crippling,” Kathleen said. “You stop taking things for granted when you lose them, even temporarily. What I took for granted – my athleticism, my ability to throw myself around, and just be able to move however I wanted to. When I lost that, that was a real crisis of self: who am I if I cannot do this?”
Rheumatoid arthritis, which is defined by the swelling of the lining of our joints, turned out to be the cause of her unfortunate circumstances. Chronic pain brought on by this illness can be challenging to manage.
“When it was first diagnosed, I was terrified because they said I’d be in a wheelchair,” Kathleen explained. “I thought, ‘If I can’t move, I can’t act.’ Acting isn’t just what I want to do. I was born to do it. It’s at every point of my living. The idea of not being able to do it was the most frightening part – that and the constant pain.”
As a pain reliever, Kathleen used booze and medications. Although they made it easier for her to work, her propensity for consuming vodka caused her to pass out during dress rehearsals for plays like the 2002 theatrical production of “The Graduate.”
After the episode ended, the actress genuinely entered rehab, where it was discovered that she was not an alcoholic. She was instead instructed to just keep better note of when she took her prescriptions and any negative side effects.
The actress now practices yoga and pilates to help her manage her discomfort and stay flexible.
The celebrity started to truly concentrate on her theatrical profession while managing her pain better. Although she occasionally continued to work in cinema and television, she mostly went back to her origins as she got older, even starring in “Cat on a Hot Tin Roof” on stage in her forties.
“Because I knew that the better roles as I got older would be in theatre, which is absolutely true, so that was a little foresight on my part of which I am justly proud,” Kathleen said.
The actress has been able to devote more time to her passions by concentrating on the theater, including volunteering for Amnesty International and working for Planned Parenthood of America.
Turner has dedicated her life to supporting other women as a fervent feminist and has done so for the majority of her life. Send Yourself Roses, Gloria Feldt’s 2008 biography of the actress, accurately depicts her ideas.
“We are the first generation of women who are financially independent. Women are going back to work,” Kathleen said. “They’re reinventing themselves. I thought I could support that, even increase that. So it has got a lot of philosophy in it and a lot of my beliefs.”
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