During a guest appearance on HBO’s Who’s Talking to Chris Wallace, the 80-year-old Copacabana singer said he didn’t think it was important to announce his sexuality during the earlier decades of his career.
Manilow came out in 2017, almost three years after he married his husband and manager Garry Kief in a private ceremony. The couple have been together for 45 years now, though they’ve kept much of their relationship away from the public eye.
When he came out to People magazine in 2017, Manilow — whose real name is Barry Pincus — worried he’d be “disappointing” some of his fans by revealing his sexuality. Instead, Manilow, who was 73 at the time, said the reaction from his fanbase was “beautiful.”
Despite his current feelings of nonchalance about his own coming out, Manilow said announcing his sexuality as his career was booming would have been a bad idea.
“Now being gay is no big deal,” he explained. “Back in the ’70s it would have killed a career.”
Regardless, the usually very private Manilow said he thinks “everybody knew that Garry and I were a couple all those years.”
“Really, Garry and I’ve been together for so long,” he said. “It just never dawned on me that we’re going to come out. But when we got married, it was a big deal, so we did.”
Manilow credited Kief for saving his life. He said he is thankful he had Kief to support him as his music career was taking off, despite keeping their relationship under wraps.
“As my career exploded, it was just crazy. And, you know, going back to an empty hotel room, you can get into a lot of trouble if you’re alone night after night after night,” Manilow explained. “But I met Garry right around when it was exploding. And I didn’t have to go back to those empty hotel rooms. I had somebody to cry with or to celebrate with.”
Manilow said he did not wish an isolated hotel room for any young people.
“It was pretty lonely until I met Garry. And then it was fun,” he smiled.
Kief is not Manilow’s first spouse. In 1964, Manilow married his high school sweetheart, Susan Deixler. They were married for one year.
Manilow told CNN’s Wallace he “really did love” Deixler, but added “the gay thing was pretty, pretty strong. I couldn’t deny it.”
The singer said he knew he was gay before marrying Deixler, but their marriage ended because Manilow couldn’t be the committed husband his then-wife needed. He revealed that his sexuality was not the reason his marriage failed.
“We had a very nice marriage, it was great, but I was away every night making music, as a young musician would be,” Manilow described. “It wasn’t good for me, and it wasn’t good for her.”
“I couldn’t be the proper husband,” he continued. “I was out making music every night, sowing my wild oats. I wasn’t ready to settle down.”
Brooklyn-born Manilow skyrocketed to international fame in 1974 after his release of the ever-popular pop-rock ballad Mandy. He became one of the biggest-selling musicians of all time. Prior to his success as a singer-songwriter, Manilow was behind a number of famous commercial jingles for brands like State Farm and Band-Aid — a gig that he has said helped him create catchy hooks for his own hit songs.
Heartbreaking reason dad buried his four year old daughter in a giant doll’s house
Tragedy struck the Earles family in 1933 when their son passed away as a result of illness
In one cemetery in pastoral Alabama, USA lies the grave of a youthful girl but it’s no ordinary remembrance of the life that was lost, as it’s in the form of a giant doll’s house that has been stood for nearly a century.
For little Nadine Earles, life ended snappily in the small city of Lanett and tragically so, with the child not seeing in her fifth birthday.
The time was 1933, Christmas was just one week down.
All Nadine wanted for the gleeful period was a doll house to play with her toys in, but the little girl sorely noway saw the big day come, with Nadine dying from diphtheria exactly one week before on 18 December, as per Mausoleums.com.
Despite not being suitable to admit her doll house on Christmas itself, her pater
Julian Earles went one step further and gave her the ultimate shoot off.
Gone was the rustic toy and in its place, a giant doll house made out of slipup, fit with proper windows and a door, all of which took her father 18 months to complete.
On what would have been her fifth birthday on 3 April, 1934, crowds gathered outside the doll house to celebrate Nadine’s life, with cutlet and ice cream on offer to those present.
Inside, Nadine’s particular particulars were placed, including a perambulator , tricycle, toys, and high president, and they remain there to this day.
Her things are also alongside Nadine’s factual burial spot and monument, which have dolls placed on top.
Dad Julian maintained the grave until his death in 1976, with Nadine’s mama , Alma, doing the same until she passed away in 1981. Both their graves are coming to the doll house itself.
After the death of both of Nadine’s parents, the grave was taken on board by Lanett megacity council, which maintains it to this day as a original literal corner.
For locals, it has come commodity they involve in periodic fests, with presents left for Nadine at Christmas and donations pushed through the mailbox.
To this day, a print of the completed giant doll house remains inside the structure itself, with Nadine’s family and musketeers stood in front of it to celebrate the poignant moment on what would have been her fifth birthday.
A videotape of the grave has gone viral on TikTok, with people leaving their own commentary to the Earles family.
” That’s beautiful,” one stoner wrote.” RIP little Nadine Earles. RIP to your parents as well.”
Another said” Windows sparkle. No cobwebs. White material looks clean. Someone maintains this veritably well.”
A third said” This is my home day, the locals embellish it for the leaves and kiddies take her stuff for her birthday to this day!”
And a fourth added” Credit to whoever is still taking care of the grave. It still looks new.”
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