I worked as a nanny. My little Thea was my sunshine, making my days fly by. One afternoon, she found a man’s wallet full of cash under her bed. I took it to Thea’s father, but he said it wasn’t his. “It’s for Mommy’s friend!” That phrase nearly cost me my job later on.
I had been working in Max’s household for a few weeks, and the routine had become second nature. I would wake up early each morning to prepare breakfast for 6-year-old Thea.
The kitchen was always filled with the warm aroma of pancakes and freshly squeezed orange juice. We often cooked together.
“Good morning, sunshine!”
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I greeted Thea one morning as the little girl shuffled into the kitchen.
Her eyes were still heavy with sleep.
“Good morning, Anna.”
She climbed onto a stool at the kitchen island. I set a plate of pancakes in front of her.
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“Do you want blueberries or strawberries today?”
“Blueberries, please.”
As I watched Thea eat, I thought about my huge love for this little girl.
“You’re my little blueberry, you know that?”
Thea giggled. “I know.”
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After breakfast, I helped Thea get ready for school.
“Hold still, Thea, I need to get this braid just right.”
“Okay, but can you make it like Elsa’s braid today?”
“Of course, Elsa it is,” I replied, carefully braiding Thea’s curly blonde hair. I tied the end of the braid with a ribbon.
“You look beautiful, Thea.”
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“Thank you, Anna. You always make my hair so pretty,” Thea replied, giving me a big hug.
I had always wanted children of my own but had discovered a few years ago that I couldn’t have any. I loved the girl as if she were my daughter, pouring all my maternal affection into our relationship.
After dropping Thea off at school, I returned home to take care of the household chores.
Veronica, Max’s wife, rarely acknowledged my efforts. She was always busy with her daily pleasures.
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Not even a thank you. But it’s okay. I’m here for Thea.
In the evening, I picked Thea up from school, and we would head back home for dinner. I always made sure Thea had her favorite meals.
“Do you want spaghetti or chicken tonight?”
“Spaghetti!”
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Max, who was constantly busy with work, would join us whenever he could.
“You’re doing a wonderful job, Anna. Thea seems so happy,” he said that evening.
Despite his demanding schedule, he always tried to spend his free moments with his daughter. Thea was his only child from his first marriage, and Veronica didn’t want to have any children of her own.
So, Max poured all his affection and care into Thea and was deeply grateful to me for my dedication and genuine love for his little girl.
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“Thank you, Max. Thea is a special girl. She deserves all the love and attention,” I replied, glancing over at Thea, who was engrossed in a puzzle on the floor.
However, despite the happy moments, I couldn’t ignore the tension that Veronica brought into the household. She spent most of her time away and showed little interest in Thea.
That night, as I tucked Thea into bed.
“Why doesn’t Mommy love me, Anna?”
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My heart broke at the question.
“Oh, sweetheart, you are so loved. I love you very much, and so does your daddy. Sometimes, people don’t show their love in the same way, but that doesn’t mean you’re not special.”
Thea hugged me tightly. “I love you too, Anna.”
I knew my love and support could make a real difference, and I was determined to give Thea the best childhood possible.
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***
One sunny afternoon, Thea and I were playing in the nursery. The room was filled with toys, colorful drawings on the walls, and the soft hum of children’s music playing in the background.
Thea was busy pretending her dolls were having a tea party.
“Anna, can you pour the tea for Daisy?”
“Of course, Daisy,” I replied, carefully pretending to pour invisible tea into a tiny cup.
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As we played, Thea crawled under the bed to retrieve a toy she had dropped.
“Anna, look what I found!”
She emerged holding a man’s wallet.
“Hmm, let’s see what’s inside.”
The wallet was filled with cash! No cards no ID. Just cash.
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This must belong to Max. We should return it to him.
I held Thea’s hand, and we walked downstairs to Max’s home office. He was at his desk, surrounded by papers and his laptop.
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“Max, we found this wallet in Thea’s nursery,” I said, holding it out to him.
“This isn’t mine.”
Just then, Thea, who had been looking around curiously, piped up, “Oh, that’s a toy! That’s for Mommy’s Friend!”
Max and I exchanged a surprised glance.
Before we could say anything, Veronica walked in. She noticed the wallet in Max’s hand and immediately narrowed her eyes.
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“What’s going on here?”
“We found this wallet in Thea’s nursery. Thea said it belongs to one of your friends.”
Veronica’s eyes flashed.
“That’s ridiculous! Anna, you must have taken this from one of the workers!”
“I would never…” I began, but Max interrupted.
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“Veronica, that’s enough. Anna is always with Thea. She wouldn’t do something like that.”
Veronica’s face twisted with anger.
Max continued, “I trust Anna. This is a misunderstanding.”
Veronica huffed, “How can you be so sure? You barely know her!”
Max stood his ground.
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“I know enough to trust her. And I trust Thea’s word too. If she says it’s a toy, then it’s a toy.”
Veronica glared at me, but I held my head high. I had nothing to hide.
Veronica shot me one last icy look before storming out of the room.
As she passed by me, she leaned in and whispered, “You’re finished.”
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Max turned to me. “I’m sorry about that, Anna. Veronica can be… difficult.”
“It’s alright, Max. I understand.”
As Thea and I left the office, I couldn’t shake the feeling of unease. Veronica’s reaction was harsh and unfounded.
Why is she so eager to accuse me?
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***
The following afternoon, Veronica called me into the living room. She was sitting elegantly on the sofa, watching me carefully.
“Anna, I was thinking of taking Thea out for a walk this afternoon. Why don’t you stay here and prepare dinner?”
I hesitated for a moment, but couldn’t find a reason to object.
“Sure, Veronica,” I replied, trying to sound cheerful.
“Great. Thea loves the playground, so we’ll be there if you need us.”
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I headed to the kitchen, watching from the window as Veronica and Thea walked down the path to the playground. I busied myself with chopping vegetables.
“It’s just a walk,” I told myself. “Everything will be fine.”
Half an hour later, I heard the front door open and close.
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Max’s voice echoed through the house, “I’m home!”
I wiped my hands on a towel and walked out to greet him.
“Hi, Max. How was your day?”
“Busy as always,” he replied, glancing around. “Where’s Thea?”
“Veronica took her to the playground. They should be back soon.”
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“The playground? By themselves?”
Without waiting for a response, he grabbed his coat and headed out the door.
I stood there, a sinking feeling in my stomach.
“Please let everything be alright,” I whispered.
It felt like an eternity before Max returned, holding a very upset Thea by the hand. Her clothes were dirty, and she had a scrape on her knee.
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“Max, what happened?” I asked, rushing over.
Max’s face was a storm of anger.
“I found Thea playing alone at the playground. Veronica was nowhere in sight!”
“I didn’t know, Max. I swear I thought Veronica was with her the whole time.”
Veronica was listening to our conversation at the doorway.
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“Max, I just went to the store for a minute. I was sure Thea’s playing with Anna.”
Max turned to me, his anger misdirected.
“Anna, you should have been with her. This is unacceptable.”
“But, Max…” I started, but he cut me off.
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“No excuses, Anna. Pack your things. You’re fired.”
Tears filled my eyes as I nodded, too shocked to argue. I headed upstairs to pack.
This can’t be happening. How did everything go so wrong?
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***
As I walked down the stairs with my suitcase, Veronica stood in the hallway, a smug look on her face.
She had orchestrated this whole thing, and I had fallen right into her trap. I kept walking, trying to ignore the satisfaction in her eyes.
I saw Thea running towards me, tears streaming down her face. “Anna, please don’t go! Please!”
I knelt to her level, my own eyes filling with tears.
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“I don’t want to leave either, Thea, but I have to.”
Thea turned to her father, who was standing in the doorway.
“Daddy, please let Anna stay! Veronica never plays with me. She’s always with her friend when you’re not here. I want to stay with Anna!”
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Max frowned. “What do you mean, sweetheart?”
Thea wiped her eyes.
“Veronica has a friend who comes over a lot. They play in her room while I watch cartoons. She even has pictures of him on her phone.”
Max’s face darkened. “Is this true, Thea?”
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“Yes, Daddy. Yesterday at the playground, Veronica left me alone while she went to talk to him.”
Max looked stunned. He turned to Veronica, who had just walked in. “Veronica, is this true?”
Veronica’s face twisted with anger. “This is ridiculous! She’s just a child. What does she know?”
“Thea wouldn’t lie about this. Why didn’t you tell me about this ‘friend’?”
Veronica lost her temper.
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“Because you’re never around, Max! You’re always at work. I have no life, no one to talk to. And you spend all your free time with Thea, ignoring me completely!”
“That doesn’t justify your actions. You put Thea in danger and lied to me.”
Veronica glared at me. “This is all your fault, Anna. You turned them against me.”
I was trying to stay calm. “Veronica, all I’ve ever wanted is to take care of Thea. She needs love and attention.”
Max raised his hand.
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“I’ve heard enough. Your actions are unjustifiable, Veronica. You put Thea in danger, and I can’t forgive that. You should leave.”
Veronica looked shocked.
“You’re kicking me out? For her?”
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She stormed out of the room, slamming the door behind her. I held Thea close as she sobbed into my shoulder. Max approached us, his eyes softening.
“Anna, I’m so sorry. I didn’t see what was happening. Please, stay and help us through this.”
“Of course, Max. I’ll always be here for Thea.”
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***
In the days that followed, I stayed on as Thea’s nanny. Max began to spend more time with his daughter.
We spent our days playing games, having picnics in the garden, and enjoying family dinners. It felt like we were becoming a real family.
Sometimes, as I watched Max and Thea together, I couldn’t help but imagine what it would be like if we truly were one. Those thoughts crept into my mind more often than I’d like to admit.
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One evening, as I was tucking Thea into bed, Max knocked on the doorframe.
“Anna, can I talk to you for a moment?”
“Of course, Max,” I said, giving Thea a final kiss on the forehead before stepping out into the hallway.
Max looked a bit nervous, which was unusual for him.
“I was wondering if you’d like to have dinner with me tomorrow. Just the two of us.”
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“Are you asking me out on a date?”
“Yes, I am. We’ve been through a lot, and I’d like to spend some time with you outside of the house.”
I agreed, feeling a flutter of excitement. As I headed to my room to prepare for the next day, I couldn’t help but smile.
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If you enjoyed this story, read this one: Prue arrived at my Mom’s wedding and found a note under her plate. “Help me!” The handwriting was the same as on the invitation. It wasn’t Mom’s, so… it must be Colin’s! Prue followed him and saw something that soon turned the family party into a big scandal. Read the full story here.
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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