Earl Holliman’s path to Hollywood is a compelling story of ambition and aspiration. At the age of 14 in 1943, he was resolute in his desire to become a movie star.
Raised in Oil City and Mooringsport, often mistakenly identified as Shreveport, he embarked on his journey to Hollywood through several stops along the way. His adventure began with a trip to visit relatives in Camden, Arkansas, followed by a bus ride to Texarkana, Texas. From there, he hitchhiked to Hollywood.
Having saved some money working as a theater usher and during the night shift at a café near Barksdale Air Force Base, Holliman had also connected with a serviceman who offered a lead on a place to stay. However, this turned out to be in El Monte, California, a significant distance from Hollywood. Looking back, Holliman acknowledges that it was a risky decision, one that wouldn’t be advisable in today’s world.
His initial foray into Hollywood didn’t pan out, prompting him to return home briefly before enlisting in the Navy. Nevertheless, his dream of becoming an actor remained alive. He eventually made his way back to Los Angeles, where he honed his craft at the Pasadena Playhouse and the University of California, Los Angeles.
Holliman’s determination paid off, leading to an impressive film career with notable roles in classics like “Giant” (1956), “Forbidden Planet”, “The Rainmaker”, and “The Sons of Katie Elder”. He also became well-known on television, especially for his work alongside Angie Dickinson in “Police Woman” and with Richard Chamberlain and Rachel Ward in “The Thorn Birds”.
He fondly reminisces about his early days in Hollywood, particularly his first morning in El Monte, when he wore a short-sleeved silk shirt and dark glasses while walking in front of Grauman’s Chinese Theatre, fantasizing about being mistaken for a star. It was a moment filled with youthful dreams and innocence.
See below how Earl Holliman looks today at 96.
How Women Aged 50-70 Apply Eye Makeup: The Mistake That Every Second Woman with Hooded Eyelids Makes
The error occurs in the way the eyeshadow is applied, notably when the color extends from the outer corners of the eyes to the crease.
Here’s an image to help you understand:
It is evident from the image above that the eyeshadow application just draws attention to the hooded eyelid and the sagging outer corners of the eyes.
Although these kinds of tints are designed to hide these kinds of flaws, eyeshadow should never be put below the lower eyelid line if you have hooded eyelids. The lower eyelid’s line should extend uninterrupted toward the outer corner
In order to do this, you ought to:
Steer clear of drawing harsh lines in the eye’s outer corners.
Avoid drawing lines in the corners of your eyes that are too black.
After all, everyone has facial expressions; you don’t just stroll about expressionless all day. Smiling distorts the sharp, black lines in the outer corners of your eyes, making them appear unsightly.
I’ll now present a comparison of how the eyes may appear to suffer if this eyeshadow application error is done, highlighting all the incorrect elements.
And this is the exact way it ought to appear.
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