When James is on his way home after a swimming competition in London, all he wants is to sleep on the flight. But that’s the last thing on the agenda because sitting next to him is a woman who only wants to cause trouble. Eight hours later, the captain teaches her a lesson.
I was already prepared for the flight. I knew that it was going to be a long one. I mean, eight hours from London to New York was not going to be easy, but I had my earplugs, sleeping pills, and a few snacks to keep me going.
I had just wrapped up a grueling swimming competition, and every muscle in my body was crying for some much-needed rest. I was in the middle seat, which wasn’t ideal for my height, but I was too tired to care. The woman next to me, at the window, seemed just as wiped out as I was, and I could see her eyes drooping before we took off.
We exchanged a weary smile before settling into our seats.
It’s okay, James, I thought to myself. You’ll sleep through it all.
But then there was the woman who was going to be the cause of absolute mayhem and discomfort for the next eight hours.
From the moment she sat down next to me, I sensed that she was going to be trouble. She was huffing and puffing and shifting around like she’d been assigned to a seat in the luggage compartment instead of economy.
“Oh boy,” the window-seat woman sighed.
Aisle-seat woman, let’s call her Karen, kept eyeing me up and down, her mouth twisting into a frown.
Look, I’m a tall guy at six foot two. I was used to getting uncomfortable stares in airplanes, but it wasn’t my fault.
The first sign of trouble came when the plane took off. Karen pressed the call button, not once like any rational person, but three times in a row, like she was setting off an alarm.
I almost expected an alarm to sound off in the airplane.
“Ma’am,” the flight attendant asked when we had reached cruising altitude, “how can I help you?”
“This seat is unacceptable!” Karen snapped. Her voice was loud enough to draw attention from the rows around us.
“I’m cramped, and look at these two… people! They’re practically spilling over into my space.”
She shot a look at me, then at the woman at the window, who was staring straight ahead, pretending not to notice.
“I’m sorry, but we’re fully booked today,” the flight attendant replied. “There’s nowhere else for you to move.”
“You mean that there’s not one seat available on this flight? What about business class? Nothing?” she demanded.
“No, ma’am,” the flight attendant said. “There’s nothing available.”
“Then I want them moved,” Karen declared, louder this time. “I paid for this seat just like everyone else here, and it’s not fair that I have to be squished next to them. I can’t even open a packet of chips without bumping into this guy.”
For emphasis, she elbowed me in the arm.
I glanced over at the woman in the window seat, who looked on the verge of tears. My patience was wearing thin, too, and I couldn’t handle this woman when my energy tank was empty.
“Ma’am,” I said, keeping my voice as calm as I could, “we’re all just trying to get through this flight and get to our destinations. There’s really nothing wrong with the seating arrangements here.”
“Nothing wrong?” Karen barked. “Are you kidding me? Are you blind?”
She continued her rant for what felt like hours. And it was clear she wasn’t going to drop it. I tried to ignore her, but she kept shifting in her seat, kicking my legs, and continuously elbowing my arm.
By the fourth hour, I was cranky and exhausted beyond any other moment in my life. I was done.
“Look,” I said, turning to her as the flight attendant wheeled a cart down the aisle, “we can keep this up for the rest of the flight, or we can try and make the best of a bad situation. Why don’t you watch something on the screen? There are some pretty good movies here.”
But she wasn’t having it at all.
“Why don’t you tell her to go on a diet? And why don’t you learn to book seats that have space for your gigantic legs? Why do you both insist on making my life hell?” Karen hissed.
And the entire time we had been talking, Karen was busy pressing the call button.
I felt my blood boil and watched as the woman sitting next to the window tried to make herself as small as possible.
I could see the flight attendants murmuring amongst themselves, giving Karen dirty looks. If I’m being honest, I was just hoping that one of them would slip her a sedative or something. Finally, a flight attendant came over, looking as upset as I was.
“Ma’am, if you don’t calm down, we’re going to have to ask you to stay seated and not press the call button again, not unless it’s an actual emergency.”
“Oh, this is an emergency!” she shouted. “It’s a human rights violation! My rights are being violated, and everyone is just ignoring that!”
The rest of the flight went on like this, with Karen sighing dramatically, muttering under her breath, and generally making everyone around us miserable.
I just kept my head down and tried to focus on the tiny screen in front of me, tracking our progress home.
When we finally landed, I couldn’t have been any happier if I tried. This nightmare was almost over.
But then, as soon as the wheels touched down, Karen was out of her seat, darting up the aisle as if she was about to miss her connecting flight to Mars. The seatbelt sign was still on, and everyone was sitting patiently, waiting for it to turn off.
But not Karen. No, she was ignoring all the calls from the flight attendants, not even looking back. Soon, she was standing right next to the curtain separating the business-class seats from economy.
The rest of us just watched, too exhausted and frustrated to react.
Then came the captain’s voice over the intercom:
“Ladies and gentlemen, welcome to New York! We have a special guest onboard today.”
There was a collective groan. What now? Were we supposed to sit there for longer?
“We ask that everyone remain seated as I make my way through the cabin to greet this very special passenger.”
Karen perked up for some reason, her shoulders straightening like she’d just been announced as Miss Universe. She looked around with a self-satisfied smile, as if expecting everyone to applaud her.
When the captain came out of the cockpit, we saw a middle-aged man with a calm demeanor and a tired smile. As he saw Karen, he paused.
“Excuse me, ma’am,” he said. “I need to get past you to greet our special guest.”
“Oh,” she said, looking surprised. “Of course.”
He continued to make her step back down the aisle until they were almost to our row. It was priceless because although she was complying with him, the confusion growing on her face was clear.
“Maybe you should sit down in your seat,” he said.
The rest of us were watching in stunned silence, catching on to what he was doing. I could feel a smile tugging at my lips. The woman next to me was grinning, too.
Finally, the captain stopped at our row, forcing Karen to move into the row and stand at her seat.
The captain looked up at the seat numbers and grinned to himself before speaking.
“Ah, here we are,” he said, his voice booming through the cabin. “Ladies and gentlemen, our special guest is sitting right here in seat 42C. Can we all give her a round of applause?”
For a moment, there was silence. Then someone started clapping, followed by another, and another. Before long, the whole plane erupted into laughter and applause.
The woman’s face turned bright red. She opened her mouth to say something, but no words came out. She just stood there, awkward and humiliated, as the captain took a slight bow and returned to the front.
“That,” I said, leaning back in my seat with a satisfied grin, “was worth the eight hours of this torture.”
The rest of us finally gathered our things and filed out, leaving her to stew in her own embarrassment.
“Jeez,” the woman next to me said. “I’m so glad this is over. I don’t ever want to see that woman again. Maybe we’ll end up next to each other on another flight. Without a Karen this time.”
“Here’s hoping,” I said, and for the first time since the flight started, I genuinely laughed.
What would you have done?
See 1970s icon Faye Dunaway now at 83
Among the few living real legends is Faye Dunaway.
The legendary actress, well-known for portraying strong, resentful, and challenging women, is among the best in movie history.
And the eighty-three-year-old continues on…
Dunaway is best known for her twisted cry in the campy cult film Mommie Dearest, “No more wire hangers!” She also starred in Hurry Sundown with Michael Caine and Bonnie & Clyde, winning the main part over Jane Fonda and Natalie Wood.
The Florida native actress, who was also awarded three Golden Globes and an Emmy, was born in Bascom.
It’s difficult to discuss Faye Dunaway’s career without bringing up the film Mommies Dearest. Channeling Joan Crawford’s energy, Faye Dunaway shocked the Mommie Dearest crew when she initially appeared from the dressing room in the legendary role of the four-year-old actress.
The sensationalized movie Mommie Dearest (1981) is based on Christina Crawford’s memoir of the same name, which describes her troubled connection with the late actress Joan Crawford, who was her adopted mother.
Dunaway managed to create a combination of charm and terror.
In her unsettling portrayal of Crawford, Dunaway blurred the boundaries between reality and resurrecting Joan, both on and off the set. She was so desperate that she declared, “I want to climb inside her skin,” to a Hollywood biographer.
Dunaway either developed her method acting skills to a high degree or her spirit took over. In her memoir, Looking for Gatsby, she writes. “I was told by one that it felt like Joan herself had risen from the dead.”
In reality, the media began to believe that Crawford was haunting Dunaway.”(Dunaway) appears to have borrowed it for 12 weeks from the ghost of Joan Crawford,” the Los Angeles Times remarked about her voice.
In a part that will live in legend, Dunaway expresses remorse. She told Entertainment Tonight, “I think it turned my career in a direction where people would irretrievably have the wrong impression of me—and that’s an awful hard thing to beat.” “I should have known better, but sometimes you don’t know what you’re getting into and you’re vulnerable.”
Working with some of the sexiest men in Hollywood, like Paul Newman, Robert Redford, Kirk Douglas, and Johnny Depp, Dunaway showed extreme self-control and maintained a platonic connection with her co-stars.
A few individuals were drawn to particular things; perhaps Jack (Nicholson) and Warren (Beatty), but not many. Though Steve McQueen was contentedly devoted to someone at the time, Warren was at that point in his bachelorhood. “I wouldn’t mess around with something like that even if it were offered, but it wasn’t,” Warren said.
“You simply don’t,” she remarked in a Harper’s Bazaar interview. “You don’t do that because you know it will ruin the performance and the movie. That’s my rule.”
The dapper, Italian award-winning actor Marcello Mastroianni, broke the rules for the timeless beauty with her delicate high cheekbones because he was too much of a temptation.
Life imitates art in her connection with the Italian celebrity. starring in the 1968 film A Place for Lovers, which Roger Ebert of the Chicago Sun-Times referred to as the “most godawful piece of pseudo-romantic slop I’ve ever seen!”-Dunaway portrays a fashion designer who is having an extramarital romance with Mastroianni, a race car driver. She had a brief but intense three-year romance with the actor in real life, which she ended when he refused to leave his wife.
Dunaway stated, “I was deeply in love with him,” in a People interview. I had never encountered a man like him before, and I felt incredibly safe with him.
She wed musician Peter Wolf, the lead vocalist of The J. Geils Band, in 1974; they separated after five years.
According to a Marie Claire article from 2017, Dunaway began an affair with renowned British photographer Terry O’Neill because she was dissatisfied in her marriage to Wolf. With her Oscar from the movie The Network on the table next to her, O’Neill captured a picture of her lounging by the pool at The Beverly Hills Hotel.
After being married in 1983, Dunaway misled the public for many years, claiming that her son Liam, who was born in 1980, was actually her biological child. In 1987, Dunaway and O’Neill were divorced.
Dunaway is alleged to be a manipulative diva who is very difficult and unpredictable for co-stars, production personnel, and even hotel employees.
She was fired from her role as Audrey Hepburn in the off-Broadway production of Tea at Five in 2019 for creating a “dangerous” and “hostile” environment, and she was fired by Andrew Lloyd Weber from his Sunset Boulevard production in Los Angeles, California, in 1994.
She was dubbed the “gossamer grenade” by one of her leading men, Jack Nicholson, and when Johnny Carson questioned her in 1988, “Who’s one of the worst people you know in Hollywood?” “Faye Dunaway and everybody you can put in this chair would tell you exactly the same thing,” was the swift response from the feisty and unrepentant Bette Davis. “I don’t think we have the time to go into all the reasons—she’s just uncooperative,” the woman said. For Miss Dunaway, Miss Dunaway is Miss.
Dunaway is still a very talented performer despite her challenging, frequently harsh, and nasty demeanor.
She was awarded a star on the Hollywood Walk of Fame in 1996, and in 1997, People magazine listed her as one of the 50 Most Beautiful People.
Regarding her romantic status, she is now single.
She stated in a 2016 People interview that she was still open to dating. She says, “I’m very much a loner.” “I always think that if I could find the right person, I would like to have a partner in life, and I would.”
Her most recent credit dates back to 2022, when she costarred in the Italian film L’uomo che disegnò Dio with Kevin Spacey.
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